IPLinBDD- Individual Physical Loading in Ballet Duet Dance.
Individual Physical Loading in Ballet Duet Dance method was proven to be successful in injury prevention and rehabilitation, and for extension of dance career for Professional Ballet Dancers from St. Petersburg Mariinsky Theater, Mikhailovsky Theater, St. Petersburg State Academic Ballet Theatre of Leonid Jacobson, Rimsky-Korsakov St. Petersburg State Conservatory and Vaganova Ballet Academy, Concorde Opera, Paris, Covent Garden, London, American Ballet Theatre, New York City Ballet and Valentina Kozlova's Dance Conservatory of New York.
Roster: services in the field of classical choreography
| № | Name of service |
| 1 | Alteration of personal characteristics of the body preventing the successful occupation of classical choreography |
| 1.1 | Correction of Posture (Compensation of the X-shaped and O-shaped legs) |
| 1.2 | Compensation hyperlordosis |
| 1.3 | The increase in amortization of the spine with a flat back |
| 1.4 | Payment of various kinds scoliosis (with the existing rib hump) |
| 1.5 | The increase in depreciation of the foot with the longitudinal and transverse ploskostopii |
| 1.6 | Compensate for lack of cervical lordsis (straight neck) |
| 1.7 | Compensation asymmetries (shoulder, shoulder blades, hip) increase podvizhnosti |
| 1.8 | Partial compensation of different-sized limbs |
| 1.9 | Weight correction for adequate forms of ballet (dance duet) |
| 2 | Increase torn-out hip to the maximum |
| 2.1 | Increase retention of a static position in ballet poses |
| 2.2 | Formulation of aplomb |
| 2.3 | Increase the time elevation |
| 2.4 | Increase the jump and training experience balloon |
| 2.5 | Production technology of rotation on pointe and in man klasse |
| 2.6 | Improved technique of dance duet with a special technique of lifting and descent |
| 2.7 | Metody training in tours and transcontinental flights |
| 2.8 | Methods of regulating weight and keep within the boundaries of ballet normy |
| 2.9 | Sohranieie top ballet form and hold it down for a one-year cycle of performances |
| 3 | Return to the professional form after injuries of the locomotor apparatus |
| 3.1 | Maintain professional forms during pregnancy |
| 3.2 | Return to the professional form after a period of confinement |
| 3.3 | Uluchshenie personal conditions "to the maximum physiologically possible in the scenic variation elementam |
| 3.4 | Individual conducting final cycle (including the tour schedule) ballet loads to control the maximum professional forms |